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Lavishly illustrated in a large 8.5 x 11 inch soft cover format, The Story: A Song of Silver Crow is the narrative of a descendent of Indian and White ancestors, a man raised and educated in the prevailing White Man’s society... yet schooled in the ways of the Red Man by his Native American grandfather.
Charlie Silver Crow is given to utilizing a variety of spiritual disciplines in his commitment to assisting the world around him heal and transform, including A Course in Miracles... often turning to "the book" for insight and inspiration. Hip to the living conditions of Twenty First Century America and of a mystical and intuitive bent, Silver Crow recognizes he’s being drawn into a quest that will eventually aid in resolving his personal inner conflicts and those of the two races of his origin... presenting the world with a new paradigm for life; a new understanding of the transcendental nature of truth.
Aware of First Nation legends of a pale-skinned healer who had walked among “the People”, Silver Crow has long held this teacher of peace and forgiveness in great respect. A revered part of their history, the legend has been passed thru oral tradition by storytellers from generation to generation within his and many other tribes on both continents. He realizes why, upon first encounter with the White Man, the Indians found the Gospels of the Apostles to be familiar... even comforting.
The Story is the tale of elemental wisdom, inspiration and optimism that takes the reader from a cottage on a small lake in the backwoods of Wisconsin to Jerusalem, the spiritual heart of three of the world’s great religions... and beyond. Packed with intrigue adventure and mayhem, the pace is sensuous, engrossing and rich in detail, often filled with rational conjecture and verifiable yet little known fact. Secret societies like the Illuminati and the Knights Templar run a dark current of opposition to the quest, seeking to gain control of or destroy the prize being sought by Silver Crow, his client Timothy and their cohorts along the way.
Whenever, in the course of the daily hunt, the hunter comes upon a scene that is strikingly beautiful, or sublime - a black thundercloud with the rainbow's glowing arch above the mountain, a white waterfall in the heart of a green gorge, a vast prairie tinged with the blood-red of the sunset - he pauses for an instant in the attitude of worship. He sees no need for a setting apart one day in seven as a holy day, because to him all days are God's days.
Charles Alexander Eastman (Ohiyesa) Santee… Continue
Posted on November 27, 2009 at 12:50am — 3 Comments
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